2007, pp.131) If city architecture is a cultural ingredient there is no doubt.The 
notions state references from: dictionaries of architecture, tradition, heritage, memory, history, culture, policies, but 
also new inputs as experimental arts, threats and hazard, global markets and policies - for example 
experimentations as: Biennale di Venezia (Pagnacco & Sejima, 2010) or global exhibitions."Culture is a driving force of the economy: creating products according to 
guidelines of the advertising market, directing them at the right people at the right time and in the right place and 
selling them at the highest admissible price (having invested what is needed for their production). Architecture is a 
product of our time. And the only way to be timeless is to be absolutely of a time: for buildings to reflect the hour 
and the minute in which they were designed and constructed."That is why the article proposes a discussion on this subject and a 
correlated approach on this delicate matter regarding the delineation between the main streams of the domain: urban 
architecture and other fields that are directly implicated in this affirmation/ proposition. Architecture connects the in and out of the 
space to scenographic background, bonding together elements of decoration, texture, tradition (Adam, Hardy, & 
International Network for Traditional Building, Architecture & Urbanism, 2008) as thinking and habits which 
inspire.But it also 
redefines itself in experiments, installations, new theories and manifestos (Jencks & Kropf, 2006), reconsiderations 
and limits with closed domains, but also other fields.Methods and subjects: After the general theorizing and investigating of terms, one of the methods of approach 
has been the professionals' perspective on the specific subject - taken from various sources of information - books, 
articles, academic and professional statuses.Architecture could be 
understood as all its different types of manifestation through history (McCarter & Pallasmaa, 2012), all theories, 
manifestos, statements and function of domain, as science, art and craft.Another method of investigation has been the insight into the matter 
from outside the domain of discussion, namely the perspective predefined by other related professional fields which 
study user interaction with the chosen theme.Architecture is considered as default a part of material cultural 
patrimony, but the article will consider architecture as a sum of material and immaterial cultural patrimony
(Ecobescu & Nitelea, 2006).Cultural tourism has a strong connection with lecturing and resonating to this specific 
atmosphere, built as tradition and as a state of place, a sum between genius-loci and Zeitgeist.When graffiti is yet understood as 
urban culture or street artists could merge the time and space transforming and rewriting the built environment and 
its message, there are too many questions for culture to reconsider.Culture inputs are 
referring to: humanity, anthropology, architecture, art, literature but also science, activated public places, state of 
local/global place.This sum can be 
understood as an overlapping, adding, weighting, etc.Culture: Present culture combines different kinds of space understanding.