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?Plato's Apology of Socrates purports to be the speech Socrates gave at his trial in response to the accusations made against him (Greek apologia means "defense"). Its powerful advocacy of the examined life and its condemnation of Athenian democracy have made it one of the central documents of Western thought and culturePhilosophical and literary sources While Socrates was alive, he was, as noted, the object of comic ridicule, but most of the plays that make reference to him are entirely lost or exist only in fragmentary form--Clouds being the chief exception. Although Socrates is the central figure of this play, it was not Aristophanes' purpose to give a balanced and accurate portrait of him (comedy never aspires to this) but rather to use him to represent certain intellectual trends in contemporary Athens--the study of language and nature and, as Aristophanes implies, the amoralism and atheism that accompany these pursuits. The value of the play as a reliable source of knowledge about Socrates is thrown further into doubt by the fact that, in Plato's Apology, Socrates himself rejects it as a fabrication. This aspect of the trial will be discussed more fully below. Soon after Socrates' death, several members of his circle preserved and praised his memory by writing works that represent him in his most characteristic activity--conversation. His interlocutors in these (typically adversarial) exchanges included people he happened to meet, devoted followers, prominent political figures, and leading thinkers of the day. Many of these "Socratic discourses," as Aristotle calls them in his Poetics, are no longer extant; there are only brief remnants of the conversations written by Antisthenes, Aeschines, Phaedo, and Eucleides.

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Socrates, (born c. 470 BCE, Athens [Greece]—died 399 BCE, Athens), ancient Greek philosopher whose way of life, character, and thought exerted a profound influence on Western philosophy.

Socrates was a widely recognized and controversial figure in his native Athens, so much so that he was frequently mocked in the plays of comic dramatists. (The Clouds of Aristophanes, produced in 423, is the best-known example.) Although Socrates himself wrote nothing, he is depicted in conversation in compositions by a small circle of his admirers—Plato and Xenophon first among them. He is portrayed in these works as a man of great insight, integrity, self-mastery, and argumentative skill. The impact of his life was all the greater because of the way in which it ended: at age 70, he was brought to trial on a charge of impiety and sentenced to death by poisoning (the poison probably being hemlock) by a jury of his fellow citizens. Plato’s Apology of Socrates purports to be the speech Socrates gave at his trial in response to the accusations made against him (Greek apologia means “defense”). Its powerful advocacy of the examined life and its condemnation of Athenian democracy have made it one of the central documents of Western thought and culturePhilosophical and literary sources
While Socrates was alive, he was, as noted, the object of comic ridicule, but most of the plays that make reference to him are entirely lost or exist only in fragmentary form—Clouds being the chief exception. Although Socrates is the central figure of this play, it was not Aristophanes’ purpose to give a balanced and accurate portrait of him (comedy never aspires to this) but rather to use him to represent certain intellectual trends in contemporary Athens—the study of language and nature and, as Aristophanes implies, the amoralism and atheism that accompany these pursuits. The value of the play as a reliable source of knowledge about Socrates is thrown further into doubt by the fact that, in Plato’s Apology, Socrates himself rejects it as a fabrication. This aspect of the trial will be discussed more fully below.

Soon after Socrates’ death, several members of his circle preserved and praised his memory by writing works that represent him in his most characteristic activity—conversation. His interlocutors in these (typically adversarial) exchanges included people he happened to meet, devoted followers, prominent political figures, and leading thinkers of the day. Many of these “Socratic discourses,” as Aristotle calls them in his Poetics, are no longer extant; there are only brief remnants of the conversations written by Antisthenes, Aeschines, Phaedo, and Eucleides. But those composePlato and Xenophon survive in their entirety. What knowledge we have of Socrates must therefore depend primarily on one or the other (or both, when their portraits coincide) of these sources. (Plato and Xenophon also wrote separate accounts, each entitled Apology of Socrates, of Socrates’ trial.) Most scholars, however, do not believe that every Socratic discourse of Xenophon and Plato was intended as a historical report of what the real Socrates said, word-for-word, on some occasion. What can reasonably be claimed about at least some of these dialogues is that they convey the gist of the questions Socrates asked, the ways in which he typically responded to the answers he received, and the general philosophical orientation that emerged from these conversations.