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Elizabethan Drama From the Elizabethan Age come some of the most highly respected plays in Western drama.Oscar Brockett observes in "Theatre and Drama in the Late Middle Ages" that "Elements of the morality play persisted into Shakespeare's time. But as the morality play was increasingly secularized during the sixteenth century, the distinctions vanished between it and the type of play commonly labeled 'interlude."'.He began to write plays, and it was during this time that Kyd had his greatest theatrical success, with the production of The Spanish Tragedy, which was wildly popular with Elizabethan audiences and established Kyd as the founder of a new genre of Elizabethan Drama known as "Blood tragedy." The exact date of the first production of The Spanish Tragedy is unknown. While the Elizabethan audiences appreciated the story of Tamburlaine, it was the poetry that really set this play apart from other plays. As R. C. Bald notes in his introduction to Six Elizabethan Plays, "Before his time dramatic verse had usually been rhymed, but Marlowe's sense of style gave the new measure a strength and dignity previously lacking in dramatic verse."Elizabethan Drama provides a window into a wide spectrum of that society because it appealed to all walks of life, and the plays dealt with citizens of all walks of life.

Elizabethan Drama
From the Elizabethan Age come some of the most highly respected plays in Western drama.

He began to write plays, and it was during this time that Kyd had his greatest theatrical success, with the production of The Spanish Tragedy, which was wildly popular with Elizabethan audiences and established Kyd as the founder of a new genre of Elizabethan Drama known as "Blood tragedy." The exact date of the first production of The Spanish Tragedy is unknown.

While the Elizabethan audiences appreciated the story of Tamburlaine, it was the poetry that really set this play apart from other plays.

As R. C. Bald notes in his introduction to Six Elizabethan Plays, "Before his time dramatic verse had usually been rhymed, but Marlowe's sense of style gave the new measure a strength and dignity previously lacking in dramatic verse."

Oscar Brockett observes in "Theatre and Drama in the Late Middle Ages" that "Elements of the morality play persisted into Shakespeare's time. But as the morality play was increasingly secularized during the sixteenth century, the distinctions vanished between it and the type of play commonly labeled 'interlude."'.

Elizabethan Drama provides a window into a wide spectrum of that society because it appealed to all walks of life, and the plays dealt with citizens of all walks of life.

Perhaps Laura K. Egendorf best sums it up in her introduction to Elizabethan Drama when she states, "Unlike modern times, when Shakespeare's plays are often considered high culture, the Elizabethans considered the theater to be essentially pop culture-the plays were the movies and television of the sixteenth century."

George Chapman (c. 1559–1634):

It seems that Chapman served in the military in 1591 and 1592 but returned to London prior to 1594.During this time, Chapman also wrote plays for the Children of the Chapel, and the company produced Chapman's most famous tragedies: Bussy D'Ambois and two plays on Byron.Chapman wrote approximately twenty-one plays between 1596 and 1613, but his output was very sporadic

Tomas Dekker(1572-1632):

The exact date of Thomas Dekker's birth is unknown.The play is notable for its realistic depiction of everyday life in seventeenth-century London as well as for Dekker's effective use of romantic fantasy in his depiction of characters.From 1598 to 1600, Dekker wrote eight plays for the Lord Admiral's Men and collaborated on twenty-four others.In 1600, his most famous play, The Shoemaker's Holiday, was produced.

Thomas Heywood (c. 1573–1641):

Thomas Heywood was a prolific writer who claimed to have written and collaborated on more than two hundred plays. He is most famous for his plays dealing with contemporary English life. Heywood was born in the county of Lincolnshire to Elizabeth Heywood and the Reverend Robert Heywood. His family was fairly well off, and he is believed to have studied at Cambridge University. However, he did not complete his degree. On June 13, 1603, Heywood married Anne Butler. It is uncertain how many children the couple had. There are baptismal records for eight Heywood children, but there is no way to verify if these were all sons and daughters of the dramatist. By 1598, Heywood was gaining recognition as a comic writer, although most of his significant literary activity was done between 1600 and 1620.

Ben Jonson (1572–1637):

Ben Jonson was born in 1572 in Westminster, near London.His stepfather was a master bricklayer, and Jonson briefly took up this trade in his youth.Upon his return to England, Jonson became an actor and by 1597 was working as a dramatist for the theatrical entrepreneur Phillip Henslowe.Jonson's first play, co-written with Thomas Nashe in 1597, was The Isle of Dogs.It was deemed offensive and landed Jonson in jail for a brief time.Then, in 1598, Jonson was arrested for killing a fellow actor in a duel.He also spent a brief time as a soldier, returning to England and marrying sometime prior to 1592.