لخّصلي

خدمة تلخيص النصوص العربية أونلاين،قم بتلخيص نصوصك بضغطة واحدة من خلال هذه الخدمة

نتيجة التلخيص (5%)

1.!Squash!and!stretch
When!an!object!moves,!its!movement!indicates!the!rigidity!of!the!object.good!taste!and!common!sense!to!keep!from!becoming!too!theatrical!and!excessively!animated
11.!Solid!drawing
The!basic!principles!of!drawing!form,!weight,!volume!solidity!and!the!illusion!of!3D!apply!to!animation!as!it!spontaneity!is!important.9.!Timing!


النص الأصلي

1.!Squash!and!stretch
When!an!object!moves,!its!movement!indicates!the!rigidity!of!the!object. Many!real!world!objects!have!little!
flexibility,!such!as!furniture,!however!most!organic!objects!have!some!level!of!flexibility!in!their!shape.!Also!
squash!and!stretch!is!useful!in!animating!dialogue!and!doing!facial!expressions.!It!is!used!in!all!forms!of!
character!animation!from!a!bouncing!ball!to!the!body!weight!of!a!person!walking.!
2.!Anticipation
An!action!occurs!in!three!parts:!the!preparation!for!the!action,!the!action!itself,!and!the!termination!of!the!
action.!Anticipation!is!the!preparation!for!the!action.!Anticipation!is!an!effective!tool!for!indicating!what!is!
about!to!happen.!A!dancer!does!not!just!leap!off!the!floor.!A!backwards!motion!occurs!before!the!forward!
action!is!executed.!The!backward!motion!is!the!anticipation.
3.!Staging
Staging!is!the!presentation!of!an!idea!so!that!it!is!completely!and!unmistakably!clear.!A!pose!or!action!should!
clearly!communicate!to!the!audience!the!attitude,!mood,!reaction!or!idea!of!the!character!as!it!relates!to!the!
story!and!continuity!of!the!story!line.!The!effective!use!of!long,!medium,!or!close!up!shots,!as!well!as!camera!
angles!also!helps!in!telling!the!story.!Do!not!confuse!the!audience!with!too!many!actions!at!once.!Staging!
directs!the!audience's!attention!to!the!story!or!idea!being!told.!Care!must!be!taken!in!background!design!so!it!
isn't!obscuring!the!animation!or!competing!with!it!due!to!excess!detail!behind!the!animation.!Background!and!
animation!should!work!together!as!a!pictorial!unit!in!a!scene.
4.!Straight!ahead!and!pose!to!pose!animation
Straight-ahead-action!is!so!called!because!an!animator!literally!works!straight!ahead!from!the!first!drawing!in!
the!scene.!This!process!usually!produces!drawings!and!action!that!have!a!fresh!and!slightly!zany!look,!because!
the!whole!process!is!kept!very!creative.!Straight!ahead!action!is!used!for!wild,!scrambling!actions!where!
spontaneity!is!important.
In!pose1to1pose!animation,!the!animator!plans!his!action,!figuring!out!just!what!drawings!will!be!needed!to!
animate!the!scene.!PoseQtoQpose!is!used!for!animation!that!requires!good!acting,!where!poses!and!timing!are!
important.!Size,!volumes,!and!proportions!are!controlled!better!this!way,!as!is!the!action.!
5.!Follow!through!and!overlapping!action
When!the!main!body!of!the!character!stops!all!other!parts!continue!to!catch!up!to!the!main!mass!of!the
character,!such!as!arms,!long!hair,!clothing,!coat!tails!or!a!dress,!floppy!ears!or!a!long!tail!(these!follow!the!
path!of!action).!Nothing!stops!all!at!once.!This!is!follow!through.!Overlapping!action!is!when!the!character!
changes!direction!while!his!clothes!or!hair!continues!forward.!The!character!is!going!in!a!new!direction,!to!be!
followed,!a!number!of!frames!later,!by!his!clothes!in!the!new!direction.!Overlapping!maintains!a!continual!
flow!between!whole!phrases!of!actions.
2
6.!Slow?out!and!slow?in
Slow-in-and-out!deals!with!the!spacing!of!the!inbetween!drawings!between!the!extreme!poses.!As!action!
starts,!we!have!more!drawings!near!the!starting!pose,!one!or!two!in!the!middle,!and!more!drawings!near!the!
next!pose.!Fewer!drawings!make!the!action!faster!and!more!drawings!make!the!action!slower.!SlowQins!and!
slowQouts!soften!the!action,!making!it!more!lifeQlike.!
7.!Arcs
All!actions,!with!few!exceptions!(such!as!the!animation!of!a!mechanical!device),!follow!an!arc!or!slightly!
circular!path.!This!is!especially!true!of!the!human!figure!and!the!action!of!animals.!Arcs!give!animation!a!more!
natural!action!and!better!flow.!All!arm!movements,!head!turns!and!even!eye!movements!are!executed!on!an!
arcs.!Arcs!are!used!extensively!in!animation,!since!they!create!motion!that!is!more!expressive!and!less!stiff!
than!action!along!a!straight!path.
8.!Secondary!action
A!secondary-action!is!an!action!that!results!directly!from!another!action.!Secondary!actions!are!important!in!
heightening!interest!and!adding!a!realistic!complexity!to!the!animation.!This!action!adds!to!and!enriches!the!
main!action!and!adds!more!dimension!to!the!character!animation,!supplementing!and/or!reQenforcing!the!
main!action.!
9.!Timing!
Timing,!or!the!speed!of!an!action,!is!an!important!principle!because!it!gives!meaning!to!movement.!The!speed!
of!an!action!defines!how!well!the!idea!will!be!read!to!the!audience.!Timing!can!also!defines!the!weight!of!an!
object.!Two!similar!objects!can!appear!to!be!vastly!different!weights!by!manipulating!timing!alone.!Timing!can!
also!contribute!to!size!and!scale!of!an!object!or!character.!Timing!plays!an!essential!role!in!illustrating!the!
emotional!state!of!an!object!or!character.!It!is!the!varying!speed!of!the!characters!movements!that!indicate!
whether!a!character!is!lethargic,!excited,!nervous,!or!relaxed. Expertise!in!timing!comes!best!with!experience!
and!personal!experimentation,!using!the!trial!and!error!method!in!refining!technique.!The!basics!are:!more!
drawings!between!poses!slow!and!smooth!the!action.!Fewer!drawings!make!the!action!faster!and!crisper.!A!
variety!of!slow!and!fast!timing!within!a!scene!adds!texture!and!interest!to!the!movement.!
10.!Exaggeration
Exaggeration!is!not!extreme!distortion!of!a!drawing!or!extremely!broad,!violent!action!all!the!time.!It¹s!like!a!
caricature!of!facial!features,!expressions,!poses,!attitudes!and!actions.!Action!traced!from!live!action!film!can!
be!accurate,!but!stiff!and!mechanical.!In!feature!animation,!a!character!must!move!more!broadly!to!look!
natural.!The!same!is!true!of!facial!expressions,!but!the!action!should!not!be!as!broad!as!in!a!short!cartoon!
style.!Exaggeration!in!a!walk!or!an!eye!movement!or!even!a!head!turn!will!give!your!film!more!appeal.!Use!
good!taste!and!common!sense!to!keep!from!becoming!too!theatrical!and!excessively!animated
11.!Solid!drawing
The!basic!principles!of!drawing!form,!weight,!volume!solidity!and!the!illusion!of!3D!apply!to!animation!as!it!
does!to!academic!drawing.!The!way!you!draw!cartoons,!you!draw!in!the!classical!sense,!using!pencil!sketches!
and!drawings!for!reproduction!of!life.!You!transform!these!into!color!and!movement!giving!the!characters!the!
illusion!of!threeQand!fourQdimensional!life.!Three!dimensional!is!movement!in!space.!The!fourth!dimension!is!
movement!in!time.!
12.!Appeal
Where!the!live!action!actor!has!charisma,!the!animated!character!has!appeal.
Audiences!like!to!see!a!quality!of!charm,!pleasing!design,!simplicity,!communication,!or!magnetism.!A!weak!
drawing!or!design!lacks!appeal.!A!design!that!is!complicated!or!hard!to!read!lacks!appeal.!Clumsy!shapes!and!
awkward!moves!all!have!low!appeal.!


تلخيص النصوص العربية والإنجليزية أونلاين

تلخيص النصوص آلياً

تلخيص النصوص العربية والإنجليزية اليا باستخدام الخوارزميات الإحصائية وترتيب وأهمية الجمل في النص

تحميل التلخيص

يمكنك تحميل ناتج التلخيص بأكثر من صيغة متوفرة مثل PDF أو ملفات Word أو حتي نصوص عادية

رابط دائم

يمكنك مشاركة رابط التلخيص بسهولة حيث يحتفظ الموقع بالتلخيص لإمكانية الإطلاع عليه في أي وقت ومن أي جهاز ماعدا الملخصات الخاصة

مميزات أخري

نعمل علي العديد من الإضافات والمميزات لتسهيل عملية التلخيص وتحسينها


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