Lakhasly

The theme of the revolution dominated the Algerian literary work in general, and the poetic work in particular, in all its stages and across its various phases, as the revolution with all its events was a source from which poets drew and became a poetic subject par excellence, where the (literary work) had its say in it, and contributed to defining its precursors, and kept pace with its path, and chronicled its events, and presented vivid images of its events, so its fuse ignited the vigour of the pen and whetted the appetite of poets from every side, and tempted them to form their poetic imagination, which became a pulsating artery with it, so his influence on it was not limited to this limit, but rather went beyond it to draw from its principles in his modernization path and he himself witnessed a revolution of another kind, where he tried to renew himself to absorb all its details not only during it, but even after its end and the achievement of its goals, and to absorb all the renewed issues of life that do not believe in By the principle of stability and do not rely on stability.

The theme of the revolution dominated the Algerian literary work in general, and the poetic work in particular, in all its stages and across its various phases, as the revolution with all its events was a source from which poets drew and became a poetic subject par excellence, where the (literary work) had its say in it, and contributed to defining its precursors, and kept pace with its path, and chronicled its events, and presented vivid images of its events, so its fuse ignited the vigour of the pen and whetted the appetite of poets from every side, and tempted them to form their poetic imagination, which became a pulsating artery with it, so his influence on it was not limited to this limit, but rather went beyond it to draw from its principles in his modernization path and he himself witnessed a revolution of another kind, where he tried to renew himself to absorb all its details not only during it, but even after its end and the achievement of its goals, and to absorb all the renewed issues of life that do not believe in By the principle of stability and do not rely on stability.
Naturally, poetry follows it in this successively, as it is the literary genre most connected to it and expressive of it, as there is no doubt that what it witnessed of revolution and transformations that caused a disturbance in its formal structure and a change in its artistic aspects, and depth in its semantic dimensions, and advancement in its aesthetic level, made many specialists, who were preoccupied with this transformation, call this phenomenon: (poetry of revolution/poetry revolution) in the form of a complementary, non-opposing duality, referring to complex dynamics, in which the concepts of poetic revolution and the discourses of the poetry of revolution intersect, so that the revolution transforms from being a poetic discourse that ranges between the realistic/imaginary given, to be transformative, renewing given that caused an earthquake in the formal and substantive structure of poetry.
Based on the above, we seek through this research discussion to elaborate on the term revolution and its textual contexts, by analyzing the relationship between the term revolution in poetry and on poetry, and investigating the manifestations of the revolutionary system in Algerian poetry as a theme, and the representations of the discourse of the revolution as a transformative factor in the path of Algerian renewal poetry.